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About the Book
"Robert Belton's
sympathetic, absorbing biography deals intelligently with both the troubled,
abrasive personality and the impressive painting of William Ronald.
The Theatre of the Self substantially enlarges our knowledge
of Canadian art history and the artists who lived it." - Robert Fulford,
author, journalist, broadcaster and editor
From the Introduction:
"Common knowledge
has it that Ronald is primarily a historical figure whose contribution
to Canadian art lies in the formation of the free-thinking Painters
Eleven in the 1950s. This is correct enough, but concomitant with it
is the tacit assumption that his choice to downplay painting temporarily
for a career in broadcasting implies that his later years were substantially
a matter of showmanship and/or charlatanism.... [Ronald is] one of the
more genuinely fascinating characters in Canadian culture, one to whom
we are indebted for much more than a spirit of internationalism running
counter to what was thought of in the 1950s as the choke-hold of the
Group of Seven."
About the Author
Dr. Robert Belton
has taught the history of art and aesthetic theory and criticism at McMaster
University, the University of Western Ontario, and Queen's University,
where he received the Alma Mater Society Frank Knox Award for Teaching
Excellence (1991-92) and the Arts and Science Undergraduate Society Award
for Teaching Excellence (1991-92). Currently, he is an Associate Dean
of Arts at Okanagan University College in Kelowna, B.C. Dr. Belton has
also published The Beribboned Bomb: The
Image of Woman in Male Surrealist Art and Sights
of Resistance: Approaches to Canadian Visual Culture (both with
University of Calgary Press).
Table of Contents
- Childhood and Adolescence
- The Ontario College
of Art
- The Advent of Painters
Eleven
- The First Years
in New York
- The Kootz Gallery
Years
- One of the Most
Hated Men in Broadcasting
- From Retrospective
to Prime Ministers
- The Later Years
Orders
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